Articles - Meanjin

[...] I was called ‘the closest thing to a French person among the Barcelonan writers’. The New Yorker has even labelled me as the most New Yorker of Catalan writers. What is the reason for this [...]

[...] security in the future? American essayist Meghan Daum, then twenty-nine and writing for the New Yorker about Manhattan in the late nineties, articulated this anxiety perfectly: ‘A sense of [...]

[...] as disrespectful and argue that his slowness is a broken compact with the reader (even the New Yorker saw fit to base a large part of its 2011 profile of Martin on this public relations dilemma).4 [...]

[...] version of your research that is promoted to the media, you become quite famous. The New Yorker runs a feature on you, and you field calls from around the world inviting you to conferences. [...]

[...] , sustainability, colonisation—the compelling planetary concerns and narratives of the twenty-first century, and of contemporary art. Chris McAuliffe suggests Australian artists may be well [...]

[...] for future television development. Across the board, the first decade and a half of the twenty-first century has heralded massive challenges for Australian TV. In his book Broadcast Wars, Michael [...]

[...] have always been against papers but people have kept on making them, even in the twenty-first century (Bollywood Times, Sazansukai, the Saturday Paper). Eventually I saw that this list [...]

[...] that inform other artistic dimensions of our lives is kind of twentieth century, or twenty-first century I should say, I’m always a little bit behind the times, you know, but there are these [...]

[...] a part of that process. ... This is the third in a series of interviews with Australian political theatremakers on the Meanjin blog. Eric Gardiner is one of the Meanjin interns and Creative Associate [...]

[...] a part of that process. ... This is the third in a series of interviews with Australian political theatremakers on the Meanjin blog. Eric Gardiner is one of the Meanjin interns and Creative Associate [...]

[...] there are more extremes. ... This is the second in a series of interviews with Australian political theatremakers on Meanjin. Eric Gardiner is one of the Meanjin interns and Creative Associate at MKA: [...]

[...] become a part of that process. ... This is the third in a series of interviews with Australian political theatremakers on the Meanjin blog. Eric Gardiner is one of the Meanjin interns and Creative [...]

[...] become a part of that process. ... This is the third in a series of interviews with Australian political theatremakers on the Meanjin blog. Eric Gardiner is one of the Meanjin interns and Creative [...]

[...] there are more extremes. ... This is the second in a series of interviews with Australian political theatremakers on Meanjin. Eric Gardiner is one of the Meanjin interns and Creative Associate at [...]

[...] explored up to that point’.14 If 1975 was the year electronic and media arts surfaced in the Australian psyche, it was also the year colour television was first broadcast in Australia. For the next [...]

[...] leadership. There’s been a shift in the market base: there is a growing appetite in the Australian psyche for hearing these stories. So we need to get our shit together as a mob, and skill up, and [...]

[...] leadership. There’s been a shift in the market base: there is a growing appetite in the Australian psyche for hearing these stories. So we need to get our shit together as a mob, and skill up, and [...]

[...] networks, their journalists and crews very uncomfortable. Many Sky News reporters are university students or recent graduates. They are cheap and they work as a single-person unit. They turn [...]

[...] sliding into the clear, sparkling warmth of the Moree pool.' In February 1965 a group of university students, led by the young Arrernte activist Charles Perkins, came to Moree, on a tour of northern [...]

[...] are state-of-the-art mansions in outlying Frankston. Tradespeople live among the university students, young families and retirees of bohemian Northcote. Migrant professionals and newly [...]