Berklee Online

[...] This little installment of the Guitar Woodshed is all about tone and toys. I will let the video speak for itself.  That being said, I [...]

[...] Guitar Woodshed: Muscle Memory As a guitarist and performer I get a lot of other guitarists asking me [...]

Howdy Folks! Everybody wants to shred right? Well maybe not everybody, but a lot of guitarists want to learn the art of playing faster…at some point [...]

[...] Welcome back to another misadventure at Guitar Woodshed. In this Blog/Vlog I’d like to discuss the Pentatonic scale. As an avid user of this [...]

[...] effective. Some of these forms have become common, or even more or less standardized, in the music industry. My new book, Music Industry Forms, is a collection of 75 such forms, snatched from the [...]

[...] looking to other industries to predict what will happen next and in this case it’s the music industry. While some parallels can be drawn between markets, it is important to note the [...]

[...] out an interview I recently did with DeliRadio about the current and future landscape of the music industry. “If you look at the history of the music business, there have been many radical periods [...]

[...] Berklee Online instructor Brad Hatfield received the Excellence in Teaching Award at the 99th Annual UPCEA [...]

[...] post production at Berklee College of Music’s online continuing education division, Berklee Online. [...]

[...] In my on-line course at Berklee Online: Funk/Rock R&B Soloing and in my instructional book, “Funk R&B Guitar: Creative [...]

[...] his 170,000 recent Coursera students! I’ve had the privilege to work with Pat on his Berklee Online courses, and it was a great pleasure to dig into his recent revised edition of his seminal [...]

[...] Social Club album, which I also really loved. Talking with friends about those two led me to Gary Burton’s 1996 album Ástor Piazzolla Reunion: A Tango Excursion, which came out earlier, [...]

[...] . We’re pleased with the new “Biographies and Interviews” category, now that Gary Burton’s autobiography pushed their numbers to the tipping point. Also this year, we’re [...]

[...] Gary Burton is a seven-time GRAMMY-award winning vibraphonist, bandleader, and educator. In his recent [...]

[...] . And I have to say, I am a bit in awe of my back cover blurbists. John Flansburgh, Gary Burton, Marcus Hummon, and Sean Slade. Ridiculous/earth-shattering talent, back there. Their [...]

[...] the ’60s collection.  In the back of the book, I discovered a chart that translated chord symbols into piano notation, so I was then able to play these same songs and sing them at the piano [...]

[...] Previously, I did a post on how to create chord symbols from notation that is already entered in Finale. In this post, I address manually typing [...]

[...] Software, when you are entering Lyrics via the Click in Score method or you are entering chord symbols by typing them into the score, you are presented with a series of triangles on the left of the [...]

[...] the full version of the software. The advantage of the Pro versions is they recognize text, chord symbols and much more and the conversion process is also more accurate. Photoscore Ultimate (Sibelius) [...]

[...] author of “The Self Promoting Musician,” recently released in its third edition by Berklee Press. As the long-time director of Berklee’s Career Development Center, Peter has helped [...]

[...] on behind the curtain. Jonathan is author of the book Audio Mastering: Essential Practices (Berklee Press, 2013), and chief mastering engineer and president of M-Works Mastering Studios—one of [...]

[...] years later, I had the great honor of helping publish Gary’s autobiography, through Berklee Press. This coming Tuesday, 11/12 at 8:00, Gary and his quintet are performing a concert in honor of [...]

[...] Here’s the current Berklee Press catalog, with the new releases through early 2014. We’re pleased with the new “ [...]

[...] or section while working in a big band score.  For example, show the sax section and the rhythm section in a big band score. In a concert band score, I will sometimes look at all the bass [...]

[...] then click the Export button at the bottom of the page. Score Order Overview Small Combo and Rhythm Section When writing for a jazz or rock combo with rhythm section: Instruments or voice Guitar Piano [...]

[...] , or Drums. View the notation of one of the transcription to study the way Wynton’s rhythm section member played the part. It is a great way to study walking bass lines, 2-feel, Bossa-Nova and [...]

[...] a heads up to a course I recently authored. It is one of the results of a partnership with Berklee College of Music and Coursera. Coursera is an organization that is bringing free college courses to [...]

[...] (Berklee Press, 2013). She is an associate professor in the ensemble and piano departments at Berklee College of Music. How is playing Afro-Cuban/Latin jazz different from American jazz? For me, the [...]

[...] and also runs the guitar department at Rivier University in Nashua, NH. Mike is a graduate of Berklee College of Music. In this interview, Mike gives some insight into how to run a successful music [...]

[...] me to interview, let me know. Happy holidays! P.S. Berklee Press, a publishing activity of Berklee College of Music, is a not-for-profit educational publisher. Available proceeds from the sales of our [...]

[...] ” (components). Read this one left to right. I talk about these a lot in my Berklee Online course, book, and live workshops about project management for musicians. By drilling down like [...]

[...] a musician. They both have developed many courses used at Berklee, including Joe’s Berklee Online course, Jazz Composition. In this interview, Joe and Tom offer some thoughts about key harmonic [...]

[...] books that address many aspects of the professional music industry. Yes. And from my Berklee Online course, Project Management for Musicians. Also, I interviewed quite a few experts, for all these [...]