Infinite Comix

[...] As 2014 comes to a close, the staff at Infinite Comix takes one final look back at the best (and worst) of the year in the comics industry. Best [...]

[...] among men. God of dreams, that is. The post Tom Hiddleston as The Sandman? appeared first on Infinite Comix. [...]

[...] like it is. 8/10 The post [Review] Bitch Planet #2 keeps up the good fight appeared first on Infinite Comix. [...]

[...] is worth the price of admission. SCORE: 9/10 The post Batman #38 Review appeared first on Infinite Comix. [...]

[...] statements on what makes art, they make it painfully obvious that Jonathan Jones does not read comic books, and as such should not be talking about them. Let me take you through some very recent [...]

[...] captured the imagination of audiences worldwide and his passion for the four-color world of comic books also caught the attention of comics publishers throughout the United States. Instead of using [...]

[...] recycle the original series’ material, as is to be expected with any adaptation of comic books. However, the two television shows just don’t quite capture the glowing grittiness of the [...]

[...] Golden Age of comics, and a rebuttal to the grim, grown-up style of today’s superhero comic books. When one of Sivana’s Greek chorus of doppelgangers goes off about brutally killing the [...]

[...] Justice League: War was the first of WB’s direct-to-DVD animated films that took place in the New 52. It was [...]

[...] Cold observe the virus mutating. It’s safe to say that at this point, Lex is the core of Justice League. Everything in the plot revolves around his actions, and both the League’s suspicions of him [...]

[...] an increased role in both Justice League: War and Justice League: Throne of Atlantis, and has been a member of the League in Injustice: Gods Among Us, Justice [...]

[...] souls. After a rocky start, world building has become a major strength for Roche Limit.  The first issue opens with narration that honestly feels perfunctory.  The rich old white guy who made the [...]

[...] be dumped and rooftops with a strangely peacefulness about them. Rumble promises a lot in it’s first issue and delivers even at every turn. Where Rumble #1 could be accused of stumbling is in its [...]

[...] a wonderful job is depicting that if a head is cut off, two more will take its place. As the first issue was packed with action, this issue adds more intrigue to this well-crafted spy story. There are [...]

[...] Warning: here there be spoilers After a frankly lackluster first issue, hopes for Gail Simone’s revival of DC’s favorite mercenary team plummeted. Thankfully, the [...]

[...] . In many ways, he’s DC’s answer to Marvel’s Spider-man. Unfortunately, the current creative team appears to be of the mindset that this formula [which has worked for the better part [...]

[...] produced another solid first issue that is inviting to readers from all walks of life. The creative team takes what could have been a comic version of the show Agents of S.H.I.E.L.D. and instead [...]

[...] -the-top – could have floundered due to poor execution. What makes it work here is the creative team’s attention to detail. Their focus on the little things, such as the roar of a [...]

[...] ’s tradition of excellence, and is a great example of why this series still has the same creative team over 3 years after the launch of the New 52. The artwork is engaging, and the stories [...]

[...] , showing their characters even in the way they move. Rodriguez also has a gift for facial expressions, whether it’s the unmasked Urich’s impotent anger or Hobgoblin’s tears of maniacal [...]

[...] Eiko Hasigawa. The art intensifies what the story is telling with different sequences and facial expressions while the art also shows a distinct differences between when Selina is in the suit in [...]

[...] by regular colorist Dan Brown. Hepburn’s rendering of these characters along with their facial expressions and mannerisms is spot on. It will be sad to see Hepburn off the title next month when [...]

[...] the stylistic choice helps bring a noir feel to the book some missing details with clothes, facial expressions, and backgrounds tend to take away from the experience of the story to what could be a [...]

[...] . Aspiring comic writers should look no further that this series for inspiration. This is superhero comics at its finest. SCORE: 9/10 The post Daredevil #11 Review appeared first on Infinite Comix. [...]

[...] for previous artist Declan Shalvey (still absolutely killing it on covers). A lot of superhero comics tend to make the violence look clean, almost like a dance. In contrast, Smallwood makes [...]

[...] of his own audience demographic. It’s a refreshing approach, at a time when the paradigm of superhero comics seems to be shifting -quite understandably- towards ever-increasing accessibility as the [...]

[...] and filled with explosions and people screaming they were. Even the movies not based on superhero comics were being advertised with this same aesthetics of sensory overload. Transformers 4, [...]

[...] ’ve had hints for a long time, and while B.P.R.D. Hell on Earth #125 doesn’t move the overall plot along by itself, that can be forgiven as it’s the first part of the “Flesh and Stone [...]

[...] seeing more action take place, with characters finally seeming to have an effect on the overall plot. It comes on the back of issues where character actions and plot has seemed oddly disconnected [...]

[...] since fall last year, it sure does take its time. Issue #17 does little to progress the overall plot of the various divided factions that find themselves in the second year of the apocalypse, [...]