NI Massive tutorials

[...] In this tutorial, Echo Sound Works will show you how to make a few sounds from the best selling soundset Massive Beast V2. as [...]

[...] like Massive can have a hard time recreating a sound that is from the 1980′s. Cheers, Echo Sound Works     The post Recreate Fairlight CMI SARAAR Vocal Patch in Massive appeared first [...]

[...] In this tutorial, Echo Sound Works walks you through a features overview of  the new Native Instruments synth – Kontour, a new [...]

[...] In this tutorial, Echo Sound Works shows you some keyboard shortcuts in Massive that make maneuvering around the synth a little [...]

[...] Have you ever wondered what the Modulation OSC in Massive does? Johnny shows us how to use it and how it affects your sounds in Massive. [...]

[...] , we assign ENV 3 to both OSC 2 & 3 for a modulation of + 12 semitones. We also use the MODULATION OSC to +12, and will set it to modulate the OSC 2 phase later on. Bypass both NOISE OSC and [...]

[...] . Slide the WT and the Intensity up to 100 and have the Amp around 75% of the way up. Use the Modulation OSC to add some Phase to Oscillator 3. You can see the settings in the picture below. Note that [...]

[...] some life and personality to your patch. For some more fun and 90s flavor, you could set the MODULATION OSC to modulate the phase of one of your oscillators, for example OSC1. So, turn the MOD OSC on, [...]

[...] making a percussive pluck in Massive is pretty easy because of it’s extensive modulation options. Instead of just going straight for Envelope 4 in Massive and turning down the decay and [...]

[...] . I love making them. For some reason I tend to get really creative with the routing and modulation options and this moody pad in Massive is no exception! It’s a fairly advanced sound that [...]

[...] way up to 100%. The cool thing about using velocity sensitive envelops in Massive is the modulation options. You can set ENV1 VEL at a different level than 2,3 or 4 and have a host of modulated [...]

[...] of like 3/16 for a triplet feel! A DnB bass in Massive is really fun to make. The host of modulation options make it easy to create that bouncy triplet feel that can be synonymous with Drum and Bass. [...]

[...] of texture to your sound(s). In this tutorial I pulled FM8 and simply activated an LFO on a bass preset and then I pulled up ANA and created a wobble that had a different timbre than the main wobble [...]

[...] great way to add presence and clarity to bass sounds in Massive! Have you ever made a played a bass preset in Massive that was almost present enough to cut through the mix and support the low end of [...]

[...] Packs For Massive   Ok let’s begin! Let’s walk through a sound inspired by a bass preset that is included in our recent Tunecraft EDM Signature Series soundset available for sale on [...]