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[...] This 80s pop music – what’s that sound? is written on Tinderwet Studios 80s pop music is something everyone knows. Or at least they pretend to know it. The mood, [...]

[...] This What did you EQ today? is written on Tinderwet Studios - Online audio mixing and mastering If you are not sure whether it’s a provocative title or [...]

[...] This Audio panning techniques is written on Mixing & Mastering by Tinderwet Studios - audio engineering Do you think you know everything you need to about panning? Don’t worry, [...]

[...] This Fingerpicks – older than you think is written on Tinderwet Studios - Online audio mixing and mastering Ever thought of how fingerpicks appeared on the scene of [...]

[...] This Alembic and Wal – preamp magic is written on Tinderwet Studios - Online audio mixing and mastering Have you heard about Alembic and Wal basses? I bet you have. Alembic is [...]

[...] This The too much reverb disease is written on Tinderwet Studios - Online audio mixing and mastering Have you ever ended up adding too much reverb to your music? Like, way [...]

[...] This Finish your songs is written on Tinderwet Studios - Online audio mixing and mastering Are you in the peculiar trap of not being able to finish your songs/audio [...]

[...] This Taming lead vocals is written on Tinderwet Studios - Online audio mixing and mastering So you want to tame the lead vocals of a song. Fair enough. Why do you [...]

[...] I wish you good luck with that. You’re going to need it. Finger independence – do you have it? Roland Czili [...]

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[...] , of course. And a little bit of arrangement, as well. Dynamic symmetry – a pop music mixing secret How many times you have tried to mix a song with simple [...]

[...] This 80s pop music – what’s that sound? is written on Tinderwet Studios 80s pop music is something everyone knows. Or at least they pretend to know it. The mood, the sound… the smell. [...]

[...] belong to your newly born tune. No matter if it’s a counter-melody, a specific rhythm in the bass line, or a certain chord. How to record a chord with a single voice? Arpeggiate it. Writing a song [...]

[...] for the bass. And if you know you’ll have a busy kick drum, just make sure you don’t make the bass line equally busy. With thinking ahead and arranging the instruments apart both rhythmically and [...]

[...] melody though. Your song can have a steady, even pulse. But if you put some syncopation in the bass line, the plainness will suddenly be gone. Anticipated bass notes can work really good. Think salsa. [...]

[...] it sounds rather dull an uninteresting. And it did, indeed. The solution was to duck the bass line with the kick drum. In other words, turning the bass down (actually compressing it) a [...]

[...] most of those have a good little trick. What’s this trick? It’s that even though the lead vocals may come out lower pitched than the verses, there’s at least one supporting element [...]

[...] as high as you can without losing the cohesion. Now scroll to the point where there are lead vocals or solo instruments playing. Quickly AB between the dry and the reverbed sound, and [...]

[...] mixing mistakes is written on Tinderwet Studios - Online audio mixing and mastering Mixing lead vocals should be fairly easy, right? Well, that’s what most beginners think, and they could be right [...]

[...] This Taming lead vocals is written on Tinderwet Studios - Online audio mixing and mastering So you want to tame the [...]

[...] waterfalls. Or ocean waves. Listened from a distance. You get the idea. Interestingly, an acoustic guitar has a roll-off slope pretty close to a perfect -6dB per octave one. Generally. No wonder it [...]

[...] live performance. Out of cymbals? Another instrument that can sub for cymbals perfectly is acoustic guitar. You just need to tame any fullness in the lows and mids with EQ and compression, and ( [...]

[...] on the left and electric piano on the right. Or electric rhythm guitar half right and an acoustic guitar hard left, with some soft background vocals half left. You can also make them come and go at [...]

[...] in the other members of the rhythm section. A variety of several syncopated figures in the rhythm guitar or the piano comping will do wonders. [...]

[...] keyboard, you can build the rest of the arrangement accordingly. For example, play your rhythm guitar tracks so you don’t hit the lowest string(s), at all, or play higher up the neck. This [...]